Baby freaks out and makes them restart just so that the music times up to the scene. However, the team gets out of the car before Baby has said “go”, so the music isn’t timed up right. At one point in the movie, Baby and a different team from the one in the beginning are about to commit a bank heist, so Baby naturally wants to play a song to go with the heist. Baby has become obsessed with playing different songs on a number of different iPods in order to express his moods as well as to create a soundtrack for his life both in and out of the driver’s seat. The song Harlem Shuffle by Bob and Earl plays as he nonchalantly moves through the city to his own beat (song link: song 2). Notably, the movie’s second scene features Baby walking through Atlanta on his way to get coffee for the team after the success of the first heist. This has made music a very influential part of Baby’s life as he reacts to music and dances around to it everyday. They are where his livelihood and soul lie. ![]() ![]() Cars and music play a huge role in Baby’s life. However, ever since a traumatic childhood car accident that took away his mother and left him with a constant ringing in his ears, Baby has listened to his mother’s old music through his headphones to drown out the ringing and to remind him of his past. In the story, Baby discovered his love of the soundtrack’s old music through his mother, a waitress who used to sing on the side. Wright connects this old music to the modern setting mainly through Baby, and he uses this to develop Baby’s character. After deciding on this song, Wright created a soundtrack that primarily contains distinctly Rock ‘n’ Roll, Groove, and Motown songs from the mid-1960s and late 1970s to fit the mood set by Bellbottoms. Then, the song transitions into the get-away car chase scene around the 1:40 mark in the song. It starts with Baby rocking out to the song by himself in the car as his team commits the bank heist. The two distinct parts of the song inspired what has now become the movie’s opening scene. He had been playing around with the idea for this film and its unique soundtrack ever since he first heard the song Bellbottoms by The Jon Spencer Blues Explosion (song link: song 1) in 1994 when it was released. Figure 2Īs a bit of background, Wright knew exactly which songs to choose for the film’s soundtrack before he even finished writing the movie. ![]() ![]() Baby (played by Ansel Elgort) sits in the car during the opening scene while the rest of the team commits the first heist. To give this well-established trope some new life, Wright expands beyond the trope through the film’s artfully crafted soundtrack. Though this short synopsis seems to follow the same tired trope found in many other heist films of the main character trying to escape their life of crime, I assure you that this movie is anything but stale. Set in Atlanta, Georgia, Baby Driver follows the life of the young getaway driver Baby as he tries to get out of the business so that he can run away with his lady love, Debora. the World (2010), created another instant classic this summer with his hit film Baby Driver (2017). To explain some terminology, a soundtrack compiles existing songs, whereas a score contains original music written for the movie, so this week we are switching gears by analyzing an example of a fantastic soundtrack.)Įdgar Wright, the director of cleverly crafted films such as Shaun of the Dead (2004) and Scott Pilgrim vs. (Author’s Note: Last week we analyzed The Grand Budapest Hotel’s score. The hand-drawn movie poster for the film has a distinctly modern heist film feel with the industrial letters and tough character poses, but it’s hot pink color scheme calls back to the 1960s from which the soundtrack was pulled.
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